|"A Captain Unafraid" still. O' Rielly Street, Havana.|
|Tribute to Carlos Roloff in Havana. Polish immigrant and Cuban general, |
Roloff was ferried to the war by Dynamite Johnny.
As well as being a very real and lasting influence on the Cuban struggle against imperialism, the internationalist element is pushed to the fore in the story the Cubans tell themselves. That is why discourse between the likes of Cuba and Ireland can be so important. In Ireland, it is important for us not to forget, that it was standing militarily against imperialism that forged our country, most especially as the centenary of the 1916 rising looms. In Cuba, as they begin another wave of grappling with the U.S. eagle, it might help looking to Ireland-as an example of what can happen when placation is taken too far. One of the fears most often confessed to us in Cuba, was that the country might again become a neo-colony of the U.S. Ireland, in many ways, can give the Cubans a template to see what happens, both good and bad, when you embrace Uncle Sam. Embracing Uncle Sam is all fine and good, but remembering who you are after the heady embrace is most important. The image below sums up a-lot of what can go wrong! The "Tourist Office" in the background is a front for "PaddyWagon Tours" (whistle-stop tours of Ireland aimed at the younger market). As far as I'm aware, the government sold "PaddyWagon" the rights to use the term "Tourist Office." The shop is a gaudy, vapid, fly trap for tourists, staffed by wide eyed, wet around the ears youngsters. Tourist Office, it isn't.
The filming of A Captain Unafraid in Cuba was done in conjunction with the “UNEAC.” The UNEAC or "The Union of Artists and Writers of Cuba," welcomed us with open arms. Two of our Cuban compatriots were surprised to hear that Ireland still has, here and there, the last scattered vestiges of the colonial rule. I mentioned how I had petitioned the head of the O’ Brien Clan, Sir Conor O' Brien (an Eton Educated Lord and British army veteran now living in his ancestral home in County Clare) for a few pound for the “A Captain Unafraid” coffers. They were surprised he wasn't ousted by the land league in the 1880's! This all got me thinking about the nature of power and the stories we tell ourselves. The O’ Brien clan, since the early days of the Norman invasion sided with the invaders, so that once the British lion sunk its claws in with the rise of the ascendancy class in the 17th and 18th century, the O’ Briens had become so Anglicised they comfortably fitted into the structures of power. Their priority was keeping power rather than taking a stand, that tree moved with the wind and so avoided breaking. So, now the O' Briens have a British army veteran as clan leader. The clans who opposed the crown are those whose genealogies cannot now be traced. Their clan lineage (that was so important to them) has been destroyed. Many of those clans have been erased from history, uprooted, the remains of their seed scattered across the globe. I heard the heir to the throne of McCarthy Mór is in Tangier, the O’ Neill royal bloodline may indeed be in the Caribbean, in Puerto Rico!
“England has been left in possession not only of the soil of Ireland, with all that lives and grows thereon, to her own use, but in possession of the world’s ear also. She may pour into it what tale she will: and all the world will listen. Success confers every right in this enlightened age; wherein, for the first time, it has come to be admitted and proclaimed in set terms, success is right, defeat is wrong.”
Mitchel saw the Irish in the middle of the 19th century as an enslaved race. It must have looked like the country and its inhabitants were about to be (and in many ways were) annihilated. During the American Civil War he pinned his flag to the mast of the Confederate cause. Strangely, Mitchel had some abhorrent views on slavery itself-he proposed re-opening the African Slave routes with the U.S. Thankfully, this dark future never happened. This is why the stories we tell ourselves, and that we believe in, have so much power and relevance. We are "dreaming our own dream," and it is important not to let our dream (whatever it may be) turn into a nightmare! Mitchel sojourned briefly in Havana, a few months after his escape from the prison Island of Van Dieman's land. He made these observations on the similarities between Morro Castle and Dublin Castle-"Those two strongholds of hell! When will they be raised and swept away and the places where they stand sowed with salt." Morro Castle and Dublin Castle still stand, though one is surely more removed from its origins than the other!
|Morro Castle, "A Captain Unafraid" Still|
Ireland, in many ways, is an unfinished revolution. Maybe we should listen to Havana as we listen to Washington, listen to South America as we listen to North America. Those well trodden roads between North America and Ireland have become super highways of unbending vision, and the Irish discourse with Latin America (which might have helped inform our discarded revolution) is left as a trickling stream of thought on the verges of those great torrents. Ireland's obsession with anglo culture, although it has its roots long before, takes on a symbiotic relationship after the famine. The effects the cataclysm of An Gorta Mór (the Great Hunger) had on the mindset of the Irish cannot be overstated. Since then, the country, (often unbeknownst to itself) seems to think that it can't be anything, or do anything, without London or Washington leading the way. The narrowness of these lenses, in their large monstrosity, can sometimes be overwhelming. It's not that they are bad or good, but by their very size they seem to say "this is the only way."
"The disarming of the native population. Cuba and Ireland are the two islands of Arms Bills, the hunting-fields of gen-d'armes, the paradises of informers and detectives." "But what are the substantial wrongs of Cuba?" "A Wealthy State Church, maintained for the comfort of Spanish clergymen; high taxes imposed on indispensable articles of import, the revenue of the island swallowed up by thousands of civil and military officials, who gather fortunes here, and spend them in Madrid, every honorable career barred against the creoles and their sons, and contempt poured upon them by every younger son of every hungry hidalgo, who come here to do them the honor of devouring their substance." "My friend, it is another Ireland." "Except in the matter of patience and perseverance in starvation. There, the Irish are unmatched amongst the white inhabitants of the earth. No people will lie down and die of hunger by myriads and millions, save only the natives of that gem of the sea." "In reply, I could but bite my tongue," Mitchel mused darkly.
While in the province of Ciego de Ávila we visited the remains of the Spanish military line 'La Trocha' which once fenced off the eastern part of Cuba from the rest of the Island. Our guide, historian, Sixto Espinosa, told us "the objective of the monument is to show how things were, it has no value, outside of its historical educational value." This is the sort of talk you'd be hard pressed to hear out of any guide in my home town of Killarney. They'd be too busy praising Queen Victoria, telling you where she had a particular cup of tea. "The Famine Queen" visited Killarney for a couple of days in 1861 and all our good fortune stems from that momentous time, some would have you believe. The fact that she (as figure head of the British State) presided over the worst calamity in Irish history is left to the wayside in the tale spun.
|Sixto Espinosa, la Trocha|
|La Trocha Militar de Júcaro a Morón|
|José, his son and myself. The books in the foreground are all written by José|
|Félix Flores and myself, UNEAC, Ciego De Ávila, Cuba|
|Plaque to Dynamite John, Havana|
|Lazaro Lopez, A Captain Unafraid Still|
|IRA Memorial, around the corner from my apartment in Killarney|
the dedication reads "this monument won't be unveiled until Ireland is free"
Ireland is littered with the trappings of an uncompromising, anti-colonial historical narrative, but the modern Irish republic, in its workings, has become a shadow, a fleeting spectre. The bright Republic dreamt up in minds of the executed signators of the declaration of 1916, in fact, never happened. Indeed, its eventual surfacing 34 years later was more a scribbled adage than a declaration. Maybe that was the inevitable end, “the revolution devolved into a government” as a Mexican revolutionary turned bureaucrat once said. To complicate the dawning vista of independence, since the 1920's larger world forces have taken over from national politics, and made Ireland more a commodity than a country. In a way, those forces have always been there, the same ideologies that were fought over during the War of Independence and Civil War are still ongoing. Its still about use, misuse, abuse of resources and people, stories we tell ourselves, stories we tell others, conning, convincing, compromise. Here is an example of some of the waffle they've decided to sell. Unfortunately, it happens to be our country. Ireland Inc. (a term I still can't believe is used) is now what is being peddled.
Jail Journal, in many ways, made me think of “The Open Veins of Latin America” by Eduardo Galeano. Mitchel's Journal is as relevant and scathing as Galeano's tome, which itself, is a cutting indictment and itemisation of the colonialism that carved up and shaped Latin America over long centuries. "They lie to us about the past as they lie to us about the present, they force the oppressed to absorb an alien desiccated sterile memory fabricated by the oppressor, so that they will resign themselves to a life that isn't theirs as if it were the only one possible. I seek to portray the past as something always convoked by the present, a live memory. A search for keys in past history to help explain our time," Eduardo Galeano.
So lets take a lesson from Mitchel to be careful what we believe in, not to get caught up in our own world, to converse with other "worlds" as Mitchel might have it. Our ideas become our worlds. Remembrance is the horse on which we ride to the future. Some would have us forget and plunge headless into whatever world others will make. It may not be Ireland, or Cuba that will forge the future of the world, but we both need to carry our understanding of our past with us as a talisman and guide for the future. We also need to converse, talk, hablar. To fling two languages together, we need to- charlar le chéile (talk together). Personally, that is what I got most from our trip to Cuba-the feeling that we don't stand alone, that our views of where we come from in the Rep. Of Ireland may be informed better by discourse with the likes of Cuba than with the likes of the U.S. or U.K. Unfortunately, the U.S. and the U.K. are still buttering the bread, carving the mould that we live in, they are still, as Mitchel said, "in possession of the world's ear," constantly pouring diatribes that inform our way of living in every conceivable way. Travelling and conversing in Cuba was a welcome relief from that heavy bombardment.
And yet, the Young Irelanders we still name “young.” Old Ireland is still old, the stories we tell ourselves are essential parts of our future and past. As I once quoted in song and sang to myself, “The past isn’t dead it isn’t even past, our stories are the sail on future's mast.” And what way do we remember The Rising? what tale do we spin for ourselves? And what way are we to remember Dynamite Johnny? And what way do we remember John Mitchel? These are all very relevant and important questions, a few of them will surely be answered over the coming year!